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DUNLOP VOLUME X VOLUME/EXPRESSION ROCKER
- Fully adjustable rocker tension
- Internal controls for effect parameter & heel-down / toe-down position
- Aluminum chassis, aggressive non-slip tread, patent-pending Low Friction Band-Drive
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DUNLOP JOE BONAMASSA MINI FUZZ FACE
- NOS Russian military germanium transistors
- Modern conveniences, classic sound
- True bypass
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DUNLOP SILICON MINI FUZZ FACE
- Silicon transistors spec’d from a 1970 Fuzz Face pedal
- Legendary Fuzz Face tones in a pedalboard-friendly housing
- Status LED, AC power jack & battery door
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Details
DUNLOP JIMI HENDRIX MINI FUZZ FACE
- Same circuit as the classic JHF1 Hendrix Fuzz Face® Distortion
- Legendary Fuzz Face tones in a pedalboard-friendly housing
- Status LED, AC power jack & battery door
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DUNLOP BAND OF GYPSYS MINI FUZZ FACE
- Classic Hendrix performance fuzz tone
- Pedalboard-friendly Fuzz Face Mini housing
- AC power jack & an on/off status LED
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MXR GERMANIUM FUZZFACE MINI DISTORTION
- Based on mid ’60s Fuzz Face pedals with slightly mismatched germanium transistors
- Legendary Fuzz Face tones in a pedalboard-friendly housing
- Status LED, AC power jack & battery door
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Details
EVH90 PHASE 90 PHASER
- Grab a piece of Eddie’s magic with the MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop
- Instantly toggle between a vintage, “Script Logo” phase tone and a more modern “Block Logo” phaser
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MXR ECHOPLEX PREAMP BOOSTER
- Faithful reproduction of the legendary Echoplex® EP-3 front end
- Gain boost up to +11dB
- True Bypass
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MXR STUDIO COMPRESSOR
- Classic studio compressor in a Phase 90-sized pedal
- CHT™ Constant Headroom Technology for clear, clean performance
- True bypass
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Details
EVH 5150 OVERDRIVE
- Designed in close collaboration with Eddie Van Halen
- Features multi-stage MOSFETs, 3-band EQ, Boost switch, and Gate
- Extremely versatile
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MXR BASS OCTAVE DELUXE
- Two independent analog octave voices
- Mid+ switch boosts selectable midrange
- Constant headroom Technology (CHT)
- True bypass
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MXR BASS CHORUS DELUXE
- Analog bucket-brigade technology
- Separate Bass and Treble controls
- Flanger and X-Over for added tonal flexibility
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MXR ANALOG CHORUS
- All-analog bucket-brigade circuitry
- Create classically lush, liquid textures
- Ultimate tone control
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MXR CARBON COPY ANALOG DELAY
- Rich, all-analog delay
- Up to 600 milliseconds of delay time
- Modulation controls emulate tape echo tones
- Bucket-brigade technology
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MXR MICRO FLANGER
- All analog circuitry with bucket brigade technology
- Two control knobs for simple operation
- Faithful recreation of the classic 80s pedal
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MXR SMART GATE NOISE GATE
- Transparent noise suppression
- Three-point filter cut-off
- Gates out noise slowly when notes are being held and quickly when they are stopped short
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MXR SUPER COMP COMPRESSOR
- An update of the legendary Dyna Comp
- Attack Level control preserves initial volume without sacrificing sustain
- The ultimate source for the “Nashville” sound
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MXR M102 Dyna Comp Compressor Pedal
- In-line compressor “evens out” the signal to your amplifier
- Useful for increased sustain with stable dynamics
- Nashville studio standard
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MXR PHASE 90 PHASER
- Rich, warm analog tone
- Add shimmery velocity and dramatic swooshing to your tone
- The timeless phase shifter used on many classic recordings
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MXR PHASE SCRIPT PHASE 90 WITH LED
-Original circuit design for smooth and lush 4-stage phasing
-Same indestructible die-cast housing
-Original smooth orange finish and script logo -
Details
L.R. BAGGS DUAL SOURCE ACOUSTIC GUITAR PICKUP SYSTEM
The Dual Source combines our dynamically rich Element pickup with a high quality condenser microphone for enhanced ambience and acoustic depth. A miniature, internally mounted preamp provides tone shaping for a dialed in sound on any guitar and a lightweight remote gives you onboard volume and mix control.
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Details
L.R. BAGGS VIOLIN PICKUP
Our Violin Pickup is a miniature vibration sensor cast directly into a Superieur Despiau “Two Tree” maple bridge for maximum sensitivity and signal transfer. As an integral part of the bridge, it effortlessly captures the instrument’s inherent dynamics. Furthermore, its selective admittance pattern is aligned so that the signal is generated as the bridge moves in a left-right motion (in response to the string vibrations).
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Details
L.R. BAGGS RADIUS MANDOLIN PICKUPS
The Radius mandolin pickup is a hi-tech contact sensor that was designed to emulate the sound of a mic without the instability associated with microphones. The pickup installs easily to the instrument with mounting putty that is non-destructive to its finish. Inside of the pickup’s housing is a highly flexible film sensor that responds much like a mic diaphragm. The sensor is held in equilibrium and damped by opposing neodymium magnets that allow the pickup to respond to the instruments most subtle nuances.
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L.R. BAGGS ELEMENT ACTIVE-VTC ACOUSTIC GUITAR PICKUP
The EAS-VTC builds on the strengths of the EAS with the addition of a treble tone control and a special low frequency compression circuit. The LF compressor tames low end thump and mimics the actual dynamic response of the guitar for enhanced realism.
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