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Fulltone Custom Shop WahFull Fixed Wah Pedal
15 years ago Robin Trower called me and said he was doing some gigs with Jack Bruce and asked “Would it be possible to have a wah wah in a regular box so that one could get that “fixed wah” sound by clicking on the pedal?” He’s got the first one, I think I have the other one.
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Fulltone Full-Drive1 Overdrive Pedal
Yes it’s true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes… with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90’s FD2 anymore.
Soundwise? I’m talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the “pre FM / pre-MOSFET” versions of the FD2. This tiny pedal is the size of our Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.
Thanks for shopping with Upper Room Music, LLC and URGuitars.com
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Fulltone Full-Drive2 V2 Overdrive Pedal
FEATURES: Dimensions: 4.45″W x 4.2″D x 2.5″H
16 gauge cold rolled steel enclosure.
Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options.
30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45″ wide x 4″ deep.
2 Footswitches: Left ON/OFF footswitch:
True-Bypass switching with exclusive Fulltone “No-Pop” circuit.
Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current. -
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Fulltone Mas Malo Overdrive/Distortion/Fuzz Pedal
Featuring 3 x hand-picked New old Stock BC184C discrete transistors, this spicy number is capable of vicious, massive sounding Distortion/Fuzz that will feedback infinitely even at bedroom levels! But here’s the clincher, dial back the “H” (heat) knob and “D” (distortion) knobs and you can nail many Jimmy Page studio tones as well as your favorite Floyd sounds. Quite possibly the most versatile distortion/fuzz ever made.
In a tiny package (this pedal fits in the palm of your hand) with top-mounted jacks, High Impedance input ( sorry Fuzzface) , ultra Low Impedance output, (sorry fuzzface) with an ability to interface with any guitar, effect or amp. Top it off with a beautiful Midrange (sorry fuzzface) and that makes it truly “More Bad!Thanks for shopping with Upper Room Music, LLC and URGuitars.com
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Fulltone Supa-Trem Jr Tap Tempo Tremolo Pedal
The logical progression to the beloved Supa-Trem1 is here!
It’s a much, much smaller than the ST-1 at only 3.9″ wide x 4″ deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don’t forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
Thanks for shopping with Upper Room Music, LLC and URGuitars.com
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Fulltone 2B Boost Pedal
The Fulltone 2B is an amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure 4.5″ x 2.1″ x 2.3″ with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks, and added an important feature not offered in the FD3.
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Secret Freq Overdrive/Distortion
Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your “bread and butter” OD/Distortion pedal.
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Supa-Trem JR Tremolo
The new and improved Fulltone Supa-Trem JR pedal puts a versatile, great sounding tremolo right at your feet. The Supa-Trem JR uses a custom-designed fast-recovery photocell to faithfully mimic the trem circuits from 60s-era tube amps with one cool distinction: it avoids the ticking sounds that frequently accompany these trem circuits and pedals for a cleaner sound. When you don’t need the warble, the JR can operate as a clean boost pedal. Get vintage tremolo tones and more with the Fulltone Supa-Trem JR.
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Clyde Standard Wah
Clyde McCoy was a big-band Trumpet Player in the ’60s… not a great musician, but one famous for getting a muted “wah wah” sound. This led to Vox trying to approximate this muted trumpet sound in a pedal… hence the Vox “Clyde McCoy” wah wah circa 1967. Jimi Hendrix and Eric Clapton both used a Vox “Clyde McCoy” model wah wah. Photos taken during the recording of “Electric Ladyland” document Jimi’s as being the “signature” model, featuring Clyde McCoy’s name written out script style on the bottomplate.
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Clyde Deluxe Wah
The”CLYDE Deluxe” is the newest version of a Fulltone standard. The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original “CLYDE Standard” but with Lots of Modern Updates….
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Plimsoul
For many, many years you’ve basically had 2 choices for your Overdrive/Distortion pedals: You could either get “Soft-clipped” Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals… or you could get “Hard-Clipped” (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals.
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Full-Drive2 Mosfet
The Fulltone Fulldrive2 MOSFET overdrive pedal gives you two great channels of overdrive — and then some! The Fulldrive2 MOSFET includes an Overdrive Mode that can go from clean, uncompressed gain boost to low to medium overdrives, all while keeping your guitar’s voice intact. Hit the footswitch on the second channel and you unleash Boost Mode, which includes its own distortion controls for higher gain and great sustain (it’s classic rock heaven!)
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Full-Drive3
The Full-Drive 2 has been a huge success over the years…with 150,000 sold over the last 20 years. It’s still on many Pro’s pedalboards… it’s not going anywhere! But over the years many people have asked: “Please offer a footswitchable independent Clean-Boost channel” as opposed to the FD2’s footswitchable “Distortion Boost” function. So the Custom Shop “20th anniversary Full-Drive 3” was born..5000 units built and SOLD OUT in 8 months. So the next logical step is the Full-Drive3 .
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OCD V2
The New Fulltone OCD V2
The OCD has received many slight tweaks over the last 12 years, often incorrectly identified as “version 2, Version 3, V4, etc.” In reality there has always been only one version…Version 1, with very slight variations after that making them V1.1 through V1.7.On 6/15/2017 we released a very new OCD, different enough that it warrants a V2 designation, an explanation and warrants a trip to your favorite dealer to give it another listen. Not a subtle change when turned on…not a subtle change when turned off (in E.B. mode).Sonic changes to OCD V2
NEW FEATURE output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones.
NEW FEATURE Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers.
NEW FEATURE Internal switch to choose between ”Enhanced Bypass TM” & True-Bypass, and with no popping sound in either mode. No other company offers EB…I invented it.
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Octafuzz OF-2
Octafuzz… the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix “Band of Gypsies” and SRV’s many live shows! Housed in a 14ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe.
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SoulBender
Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late ’60’s that was used by Beck and Page on much of their circa 1968-70 recordings.
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’69 mkII Fuzz
This is how you wished your Fuzzface sounded… Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar’s volume control. The Rolling Stones and the Black Crowes have discovered this trick.
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’70 BC-108C Fuzz
The 70-BC Fuzz is housed in a 16 gauge steel box and powder coated deep blue. This pedal is a bit unruly but with some warmth… ideal for older 4 input Marshall amps, it has much more FUZZ than the ’69 Pedal and includes a Mid control for extra clarity and cut.
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