Fulltone Full-Drive1 Overdrive Pedal
Yes it’s true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes… with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90’s FD2 anymore.
Soundwise? I’m talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids CC in later models. So even though the FD-1 will have the Flat-Mids mode, the Comp-Cut is the fuller-mids version identical to the “pre FM / pre-MOSFET” versions of the FD2. This tiny pedal is the size of our Mas-Malo, with top-mounted (also called rear mounted) jacks & power port, and a JRC4558 chip for your go-to overdrive sound. Come home.
Thanks for shopping with Upper Room Music, LLC and URGuitars.com
Fulltone Full-Drive2 V2 Overdrive Pedal
FEATURES: Dimensions: 4.45″W x 4.2″D x 2.5″H
16 gauge cold rolled steel enclosure.
Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options.
30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45″ wide x 4″ deep.
2 Footswitches: Left ON/OFF footswitch:
True-Bypass switching with exclusive Fulltone “No-Pop” circuit.
Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current.
Fulltone Mas Malo Overdrive/Distortion/Fuzz Pedal
Featuring 3 x hand-picked New old Stock BC184C discrete transistors, this spicy number is capable of vicious, massive sounding Distortion/Fuzz that will feedback infinitely even at bedroom levels! But here’s the clincher, dial back the “H” (heat) knob and “D” (distortion) knobs and you can nail many Jimmy Page studio tones as well as your favorite Floyd sounds. Quite possibly the most versatile distortion/fuzz ever made.
In a tiny package (this pedal fits in the palm of your hand) with top-mounted jacks, High Impedance input ( sorry Fuzzface) , ultra Low Impedance output, (sorry fuzzface) with an ability to interface with any guitar, effect or amp. Top it off with a beautiful Midrange (sorry fuzzface) and that makes it truly “More Bad!
Thanks for shopping with Upper Room Music, LLC and URGuitars.com
Animal OD Overdrive by Rockett Pedals
The ANIMAL OD is back by popular demand. The Animal is an accurate recreation
of an overdriven 1968 “Plexi”. The ANIMAL OD has the grunt and midrange bark of
the old classic rock n roll amps but cleans up extremely well by backing off of your
guitar’s volume control. The controls are very simple and no matter where they are
set they give you a great overdrive sound.
The Majestic Overdrive by Rockett Pedals
70’s Rock Tone Inspired By The Cranked Tone of A 1959 Les Paul Through A 100 Watt Marshall Head.
Ruby Red (Butch Walker Signature 2-in-1 Overdrive/Fuzz/Boost)
Super New Pedal from the guys at JHS Ruby Red Overdrive/Fuzz/Boost.
The Ruby Red is a collaboration with one of our favorite artists, producers, and writers in the industry, Butch Walker. He is most known for his breakout work in the Marvelous 3, as well as his long list of producing successes afterward such as: Pete Yorn, Pink, The Academy Is, Weezer, Panic! At The Disco, Taylor Swift, Avril Lavigne, Katy Perry, Keith Urban, Fallout Boy, Ryan Adams, and many more. As one of the busiest and most in-demand guys in the industry, when he isn’t in the studio, he’s on a stage. Butch contacted us to let us know that he loved the SuperBolt and had been using it in session after session. We started a conversation about his live rig for upcoming dates, and the rest is history. He needed one pedal that could do everything he needed and do it in the simplest and easiest way possible. Primarily playing a cranked Deluxe Reverb and depending on his guitar’s volume control for much of his dynamics, the pedal had to respond like an amp as well as feel like it was an extension of his amp. This is how the Ruby Red was created.
Mesa/Boogie Clearlink (Receive) – Buffer and Line Driver
The CLEARLINK RECEIVE ISO/CONVERTER is the ultimate big stage solution for all instruments where signal must travel longer than 15 to 20 feet. It’s most common application is receiving a buffered signal through long cabling from its companion product–the CLEARLINK SEND–at the tail end of a Pedal Board and converting the XLR balanced signal that transmits back to a ¼” unbalanced signal appropriately matched for feeding an instrument amplifier.
Mesa/Boogie Clearlink (Send) – Buffer and Line Driver
The CLEARLINK™ (SEND) LINE DRIVER is designed to compensate for losses in Tone due to increased capacitance in long cable runs. With a high quality buffer and +12dB of available output gain, it has the ability to drive cable runs of up to 330 Ft./100M before noticeable degradation, when added in-line on the feed from Pedal Board to Amplifier. When combined with a STOWAWAY™ INPUT BUFFER on the Instrument, the CLEARLINK SEND forms an “Effects Loop” for the Instrument-Pedal Board-Amp signal chain that will reclaim the integrity of your sound through boosted levels and buffering or impedance matching. Whether used by itself, or with the STOWAWAY as a comprehensive “Front End” solution, it will provide the needed “stable impedance source” to ensure the pieces in your rig “communicate” well. It can be used for balanced signals via two different output jacks; standard 3-pin XLR or ¼” TRS. It also supports unbalanced signals via the standard ¼” mono jack. If you’re going to send your signal on a marathon, make sure you have a clear link to communicate… because you don’t want your Tone lost in translation.
Mesa/Boogie High-Wire Dual Buffer Line Driver Output Booster
The HIGH-WIRE™ is our Dual Buffer and Line Driver in a one-stop solution that addresses both Input and Output challenges in the same space saving chassis. Between Instrument and pedals, it provides a stable, consistent load for your guitar’s pickups, ensuring your signal arrives at the first pedal intact and full of Tone. From Pedal Board to the amplifier, it not only buffers the signal, ensuring optimum impedance loading and performance, but also allows for increased signal levels for extra long cable runs via the built-in Line Driver (Footswitchable Boost) feature. As with the Stowaway, all buffer circuitry is 100% discrete Class-A. The HIGH-WIRE also incorporates a fixed +3dB BOOST on a top mounted mini-toggle. The Footswitch is Dual Function and allows both the variable BOOST when hit once and a MUTE when held for a second. The HIGH-WIRE is the ultimate all-in-one Pedal Board signal loss remedy and will remove your tightrope Tone walk once and for all.
Mesa/Boogie Stowaway Compact Input Buffer
The Stowaway™ is our compact 100% discrete Class-A Input Buffer solution designed to remedy a whole array of Input challenges caused by a variety of issues. From impedance loading and mismatching, to changes in a pickup’s character and response as a result of varying effect pedals’ input impedance and interconnecting cables’ capacitance, the Stowaway provides the stable, consistent load your instrument needs to sound as intended. While the Stowaway’s footprint is small, allowing it to be mounted on the most crowded of pedal boards, its Feature Set is professional and comprehensive. If your signal does any significant traveling, bring along a Stowaway to guard your Tone.
ONE CONTROL PURPLE HUMPER BOOSTER
The BJFE Purple Humper was originally developed in response to the request to make a more versatile pedal based on the mid-boost circuit built in to the Stratocaster so that it could be used with different guitars.
ONE CONTROL BJF GRANITH GREY BOOSTER
The One Control Granith Grey Booster allows a boost of about +16DB with the level knob set at the maximum level. You might think this is nothing extraordinary but we went through a number of tests with different values at our trial stage.
ONE CONTROL CHAMAELEO TAIL LOOP II 5 LOOP PROGRAMABLE SWITCHER
The Chamaeleo Tail Loop Mark II is a five-channel programable loop switcher equipped with six DC outputs. The loops are all true bypass and it also has a separate tuner output. Perfect for pedals or tuners that seem to sucking out your tone while not in use. Three banks for a total of fifteen individual programs.
Takes a standard 9V power supply and can be used passively if so desired, however power outputs will not be active.
MXR MICRO AMP BOOSTER
- Adds a preset amount of gain with a single control
- Boost your signal for lead work
- Perfect for switching between guitars with unmatched output
MXR M102 Dyna Comp Compressor Pedal
- In-line compressor “evens out” the signal to your amplifier
- Useful for increased sustain with stable dynamics
- Nashville studio standard
The New Fulltone OCD V2
The OCD has received many slight tweaks over the last 12 years, often incorrectly identified as “version 2, Version 3, V4, etc.” In reality there has always been only one version…Version 1, with very slight variations after that making them V1.1 through V1.7.On 6/15/2017 we released a very new OCD, different enough that it warrants a V2 designation, an explanation and warrants a trip to your favorite dealer to give it another listen. Not a subtle change when turned on…not a subtle change when turned off (in E.B. mode).
Sonic changes to OCD V2
NEW FEATURE output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones.
NEW FEATURE Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers.
NEW FEATURE Internal switch to choose between ”Enhanced Bypass TM” & True-Bypass, and with no popping sound in either mode. No other company offers EB…I invented it.