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MXR BASS CHORUS DELUXE
- Analog bucket-brigade technology
- Separate Bass and Treble controls
- Flanger and X-Over for added tonal flexibility
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MXR ANALOG CHORUS
- All-analog bucket-brigade circuitry
- Create classically lush, liquid textures
- Ultimate tone control
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MXR GT-OD OVERDRIVE
- Traditional, transparent, and warm overdrive
- Adds sustain and gain without coloring your guitar or amp’s tone
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MXR CARBON COPY ANALOG DELAY
- Rich, all-analog delay
- Up to 600 milliseconds of delay time
- Modulation controls emulate tape echo tones
- Bucket-brigade technology
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MXR MICRO FLANGER
- All analog circuitry with bucket brigade technology
- Two control knobs for simple operation
- Faithful recreation of the classic 80s pedal
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MXR SMART GATE NOISE GATE
- Transparent noise suppression
- Three-point filter cut-off
- Gates out noise slowly when notes are being held and quickly when they are stopped short
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MXR SUPER COMP COMPRESSOR
- An update of the legendary Dyna Comp
- Attack Level control preserves initial volume without sacrificing sustain
- The ultimate source for the “Nashville” sound
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MXR M102 Dyna Comp Compressor Pedal
- In-line compressor “evens out” the signal to your amplifier
- Useful for increased sustain with stable dynamics
- Nashville studio standard
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MXR PHASE 90 PHASER
- Rich, warm analog tone
- Add shimmery velocity and dramatic swooshing to your tone
- The timeless phase shifter used on many classic recordings
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MXR PHASE SCRIPT PHASE 90 WITH LED
-Original circuit design for smooth and lush 4-stage phasing
-Same indestructible die-cast housing
-Original smooth orange finish and script logo -
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L.R. BAGGS DUAL SOURCE ACOUSTIC GUITAR PICKUP SYSTEM
The Dual Source combines our dynamically rich Element pickup with a high quality condenser microphone for enhanced ambience and acoustic depth. A miniature, internally mounted preamp provides tone shaping for a dialed in sound on any guitar and a lightweight remote gives you onboard volume and mix control.
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L.R. BAGGS VIOLIN PICKUP
Our Violin Pickup is a miniature vibration sensor cast directly into a Superieur Despiau “Two Tree” maple bridge for maximum sensitivity and signal transfer. As an integral part of the bridge, it effortlessly captures the instrument’s inherent dynamics. Furthermore, its selective admittance pattern is aligned so that the signal is generated as the bridge moves in a left-right motion (in response to the string vibrations).
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L.R. BAGGS RADIUS MANDOLIN PICKUPS
The Radius mandolin pickup is a hi-tech contact sensor that was designed to emulate the sound of a mic without the instability associated with microphones. The pickup installs easily to the instrument with mounting putty that is non-destructive to its finish. Inside of the pickup’s housing is a highly flexible film sensor that responds much like a mic diaphragm. The sensor is held in equilibrium and damped by opposing neodymium magnets that allow the pickup to respond to the instruments most subtle nuances.
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L.R. BAGGS ELEMENT ACTIVE-VTC ACOUSTIC GUITAR PICKUP
The EAS-VTC builds on the strengths of the EAS with the addition of a treble tone control and a special low frequency compression circuit. The LF compressor tames low end thump and mimics the actual dynamic response of the guitar for enhanced realism.
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L.R. BAGGS ELEMENT ACTIVE ACOUSTIC GUITAR PICKUP
Unlike typical undersaddle acoustic guitar pickups that are dependent on string compression for their sound, the Element was engineered to mirror the soundboard’s actual movement as you play. At the heart of the pickup, a flexible film sensor only 2 thousandths of an inch thick picks up the guitar’s most delicate nuances. Tracking the motion of the top rather than a direct string attack suppresses “quack” caused by compression and unlocks the Element’s unrivaled dynamic range.
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L.R. BAGGS FIVE O UKULELE PICKUP
The FIVE.O is small, light-weight, and best of all, specifically engineered to track the uke’s unmistakably unique voice. The system combines a custom version of our award winning Element pickup, a soundhole mounted volume control and a miniature endpin preamp powered by a 3V battery. We radically miniaturized our design so that the complete system weighs less than a 9V battery and tucks away neatly inside of the small instrument for a non-invasive installation. The pickup also features a pull guide to facilitate faster installations.
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L.R. BAGGS M80 ACOUSTIC GUITAR PICKUP
The soul of your guitar is in the body – from the tone woods that it’s made of, to the fine details in the way it was put together. Standard magnetic pickups hear only dry strings, resulting in an “electric” sound that omits the true acoustic voice of your guitar. In contrast, the M80 hears the entire frequency range of the tone woods, thereby contributing warmth and complexity to your amplified sound.
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L.R. BAGGS PARA DI ACOUSTIC GUITAR PREAMP
Due to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI has become an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board.
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L.R. BAGGS VENUE DI ACOUSTIC GUITAR PREAMP
We created the Venue DI so you can travel light, set up fast and sound incredible anywhere you plug in. The Venue DI gives you complete control by combining a full-isolation DI output, 5-band EQ with adjustable low & hi-mid bands, variable clean boost and chromatic tuner all in one acoustic pedal. With its all-discrete signal path, hi-graded semiconductors and exclusive use of audiophile grade film capacitors, the Venue DI is on par with the world’s elite preamps and provides a studio quality sound for the stage.
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L.R. BAGGS SESSION DI ACOUSTIC GUITAR PREAMP
Inspired by the LR Baggs Handcrafted Video Sessions and our experience in some of Nashville’s great studios, the Session Acoustic DI brings our signature studio sound to your live rig. The Session DI enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. We’ve captured this studio magic and put it into a compact, easy-to-use DI that will transform your live sound.
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L.R. BAGGS M1 ACTIVE ACOUSTIC GUITAR PICKUP
The M1 Active’s plug-&-play design features a preamp with audiophile circuitry for that pure acoustic sound we are known for. The built-in electronics boosts the pickup’s output for a full and direct signal to any acoustic amplifier or P.A. system, eliminating the need for any external preamps. The M1 Active includes a volume control and adjustable pole pieces for perfect balance and tone between the strings.
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L.R. BAGGS ANTHEM ACOUSTIC GUITAR PICKUP
For those of you who prefer a minimalist approach to controls, the Anthem SL delivers the same groundbreaking studio mic’d fidelity as the Anthem in a streamlined format with a single volume control. The endpin preamp has all-discrete circuitry for the purest signal and the TRU•MIC is premixed with the Element for optimum performance.
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L.R. BAGGS ANTHEM ACOUSTIC PICKUP AND MIC
The Award-winning Anthem series, featuring our patent-pending TRU•MIC technology, seamlessly combines a proprietary condenser microphone with our acclaimed Element pickup to deliver the warmth and fidelity of a studio-mic’d guitar anywhere you perform.
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L.R. BAGGS LYRIC ACOUSTIC GUITAR MICROPHONE
There’s no argument that a microphone is the best way to capture the sound of an acoustic guitar, but until now, using a microphone for most live performances has been an elusive dream. Lyric, the next step in TRU•MIC technology, is the long overdue realization of this dream. Without a pickup, Lyric’s microphone accurately transports your guitar’s actual voice to a live audience for the most realistic and inspiring sound you will ever experience.
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